Schmuck 2013: Maurer-Zilioli Contemporary Arts

ellen maurer zilioli/manfred bischoff

I’ve finally started organizing all my photos from Schmuck 2013, so look out! I couldn’t quite decide how I wanted to break it all down this year, so to keep things simple, I will go chronologically based on the order of what I went to see. In comparison to last year, it’s probably much less; in 2012 I left Munich feeling esaurita, an Italian word that basically means, fucking depleted of any physical or emotional energy. A year ago I thought to myself, if I ever have to see another necklace hanging on the god damn wall, i’ll…. Needless to say I overdid it.

To avoid that feeling, I approached things differently and decided to just see what I’d see, meet who I’d meet and enjoy myself. So in that spirit, I’m happy to say that the delightful Ellen Maurer-Zilioli was the very first on my list to see.

The following is the blurb I wrote for Current Obsession Magazine’s Schmuck Guide (MORE ON THAT SOON!!):

From Brescia, Italy, Maurer Zilioli Contemporary Arts will be showcasing two artist/goldsmiths deemed legends of the field. The work of Bruno Martinazzi (IT) and Manfred Bischoff (DE) converge on grounds beyond that of noble material preference, but also through their shared geographical territory and subtle reference points. Turin-born Martinazzi inherited a devotion to Italy’s visual history, while Bischoff’s references are chosen and interpreted more freely. Dr. Ellen Maurer-Zilioli, gallerist and president of MZ Contemporary Arts, comments on the pair: “For all this complex artistic directionality, what ultimately emerges into the focus of perception are idiosyncratic pieces of jewellery, bearing witness to an irresistibly fragile yet stunningly evident beauty that is on occasion presented with an absurd or ironic twist.”

The exhibition will boast a perfectly digestible amount of work between the two artists. If you’re new to contemporary jewellery, be sure to stop here at the very least (!); it’s a prerequisite to what else is out there, a must see, contemporary jewellery 101, if you will. And the best part is that the exhibition is hosted by the contemporary art gallery, Kunstbüro Reillplast, representing a school of young, but very able artists. CO is excited to see what kind of fresh, new-art eyeballs will land on this work consequently. Maurer Zilioli always aims to bridge the gap between contemporary jewellery and contemporary art; after all, the gallery doubles as a Cultural Association aimed to do to just that.

ellen maurer zilioli/manfred bischoff

The lovely lady herself.

maurer zilioli/babetto

Ellen had some other goodies laying around that weren’t part of the exhibition, like this brooch by Giampaolo Babetto.

ellen maurer zilioli/babetto

This one too…
manfred bischoff

Manfred Bischoff’s golden masterpieces

Unfortunately I got a little sidetracked and forgot to take a photo of my faaaavorite piece of all time, The Madona del Parto, which was inspired by Piero della Francesca’s fresco of the pregnant Virgin in Monterchi, Italy, which I recently visited. Here’s a photo of the piece I stole from the website of the Isabella Stuart Gardner Musuem (Boston, MA), where in 2002, Bischoff had an exhibition.

mb

piero della francesca

3 comments
  1. Kellie, thanks for the post. I saw Bischoff’s work when it was here in Florence recently. Looking forward to more images from Schmuck!

  2. Love the cube ring. That Piero della Francesca fresco is also a favorite of New Yorker art critic Peter Schjeldahl.

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